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	<title>Comments on: Listening to Music, Seeing the Movement</title>
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		<title>By: Philip</title>
		<link>http://dancingperfectlyfree.com/2008/04/02/listening-to-music-seeing-the-movement/#comment-211</link>
		<dc:creator><![CDATA[Philip]]></dc:creator>
		<pubDate>Fri, 04 Apr 2008 16:11:38 +0000</pubDate>
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		<description><![CDATA[When I was working at Tower I tried to &quot;sell&quot; the Prokofiev Piano Concerto #1 to several choreographers - I think it cries out to be danced to but they were indifferent. Maybe I&#039;ll have to do it myself!]]></description>
		<content:encoded><![CDATA[<p>When I was working at Tower I tried to &#8220;sell&#8221; the Prokofiev Piano Concerto #1 to several choreographers &#8211; I think it cries out to be danced to but they were indifferent. Maybe I&#8217;ll have to do it myself!</p>
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		<title>By: Evan</title>
		<link>http://dancingperfectlyfree.com/2008/04/02/listening-to-music-seeing-the-movement/#comment-207</link>
		<dc:creator><![CDATA[Evan]]></dc:creator>
		<pubDate>Fri, 04 Apr 2008 04:19:47 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=226#comment-207</guid>
		<description><![CDATA[I agree with you completely about considering how &quot;danceable&quot; a piece of music is.  It&#039;s fun to think about what a choreographed piece might look like, and even more fun to share your idea of the dance with others who have heard the same music.  The beauty of this exercise is that people tend to have entirely different interpretations and ideas about   &quot;good&quot; or &quot;suitable&quot; choreography for the music.]]></description>
		<content:encoded><![CDATA[<p>I agree with you completely about considering how &#8220;danceable&#8221; a piece of music is.  It&#8217;s fun to think about what a choreographed piece might look like, and even more fun to share your idea of the dance with others who have heard the same music.  The beauty of this exercise is that people tend to have entirely different interpretations and ideas about   &#8220;good&#8221; or &#8220;suitable&#8221; choreography for the music.</p>
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		<title>By: Philip</title>
		<link>http://dancingperfectlyfree.com/2008/04/02/listening-to-music-seeing-the-movement/#comment-206</link>
		<dc:creator><![CDATA[Philip]]></dc:creator>
		<pubDate>Thu, 03 Apr 2008 17:02:59 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=226#comment-206</guid>
		<description><![CDATA[Yes, this happens to me all the time. I cannot listen to music that has an established dance interpretation without seeing the choreography, costumes &amp; setting in my mind. 

Interesting to think of Balanchine&#039;s genius for &#039;showing us the music&#039; and that Peter is also often successful at doing the same thing even though without usually achieving the same level of success that Mr. B usually did. 

The other aspect of listening to music is, I always imagine what kind of dance might be made out of a given work. Oddly, if I have trouble envisioning choreography, I sometimes lose interest in listening to the piece!

I remember reading once that someone said Stravinsky would be largely forgotten as a composer if it wasn&#039;t for Balanchine. Surely many of his works are rarely heard at the symphony but are thrice familiar to NYCB audiences. It&#039;s interesting that Stravinsky&#039;s most &#039;popular&#039; work, RITE OF SPRING, apparently never attracted Balanchine.]]></description>
		<content:encoded><![CDATA[<p>Yes, this happens to me all the time. I cannot listen to music that has an established dance interpretation without seeing the choreography, costumes &amp; setting in my mind. </p>
<p>Interesting to think of Balanchine&#8217;s genius for &#8216;showing us the music&#8217; and that Peter is also often successful at doing the same thing even though without usually achieving the same level of success that Mr. B usually did. </p>
<p>The other aspect of listening to music is, I always imagine what kind of dance might be made out of a given work. Oddly, if I have trouble envisioning choreography, I sometimes lose interest in listening to the piece!</p>
<p>I remember reading once that someone said Stravinsky would be largely forgotten as a composer if it wasn&#8217;t for Balanchine. Surely many of his works are rarely heard at the symphony but are thrice familiar to NYCB audiences. It&#8217;s interesting that Stravinsky&#8217;s most &#8216;popular&#8217; work, RITE OF SPRING, apparently never attracted Balanchine.</p>
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