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	<title>Comments on: New York City Ballet &#8211; Bach to Glass: A Musical Odyssey II</title>
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		<title>By: Glass Pieces at New York City Ballet &#171; Dancing Perfectly Free</title>
		<link>http://dancingperfectlyfree.com/2008/06/18/new-york-city-ballet-bach-to-glass-a-musical-odyssey-ii/#comment-742</link>
		<dc:creator><![CDATA[Glass Pieces at New York City Ballet &#171; Dancing Perfectly Free]]></dc:creator>
		<pubDate>Tue, 17 Feb 2009 05:11:25 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=413#comment-742</guid>
		<description><![CDATA[[...] the three sections of the work in the above video. In fact, last June I singled out Danchig-Waring in my review of the piece, which was performed as part of the Jerome Robbins Celebration, saying, “Percussive rhythms of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the three sections of the work in the above video. In fact, last June I singled out Danchig-Waring in my review of the piece, which was performed as part of the Jerome Robbins Celebration, saying, “Percussive rhythms of [...]</p>
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		<title>By: Evan</title>
		<link>http://dancingperfectlyfree.com/2008/06/18/new-york-city-ballet-bach-to-glass-a-musical-odyssey-ii/#comment-385</link>
		<dc:creator><![CDATA[Evan]]></dc:creator>
		<pubDate>Thu, 19 Jun 2008 21:09:03 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=413#comment-385</guid>
		<description><![CDATA[Hi Jeff,

Thanks for the comment. I admit that comparisons are not always useful, but I have such a vivid memory of Baryshnikov in this role that I found it challenging to avoid comparing Le Riche&#039;s dancing to his.  Setting that aside, this was the first time I&#039;d seen Le Riche perform, so perhaps I need to observe him a few more times - and in a variety of roles - to get used to his style and technique.  If/when I see him perform in the future, hopefully I&#039;ll be able to detect the lushness and attack that you appreciate in his dancing.]]></description>
		<content:encoded><![CDATA[<p>Hi Jeff,</p>
<p>Thanks for the comment. I admit that comparisons are not always useful, but I have such a vivid memory of Baryshnikov in this role that I found it challenging to avoid comparing Le Riche&#8217;s dancing to his.  Setting that aside, this was the first time I&#8217;d seen Le Riche perform, so perhaps I need to observe him a few more times &#8211; and in a variety of roles &#8211; to get used to his style and technique.  If/when I see him perform in the future, hopefully I&#8217;ll be able to detect the lushness and attack that you appreciate in his dancing.</p>
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		<title>By: Jeff</title>
		<link>http://dancingperfectlyfree.com/2008/06/18/new-york-city-ballet-bach-to-glass-a-musical-odyssey-ii/#comment-384</link>
		<dc:creator><![CDATA[Jeff]]></dc:creator>
		<pubDate>Thu, 19 Jun 2008 20:41:05 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=413#comment-384</guid>
		<description><![CDATA[While I agree with a lot of what was said of the evening -- which I also saw -- I must disagree most strongly with your reaction to Monsieur LeRiche.  His technique is impeccable and his playfulness is only made more apparent by his ability to call upon a lushness and quick-fire attack at will.  While I find comparisons odious in the extreme -- are we looking at the dancer/dance in its own light at the moment or not? -- I have seen many soloists dance this work and found LeRiche to be among the greatest.]]></description>
		<content:encoded><![CDATA[<p>While I agree with a lot of what was said of the evening &#8212; which I also saw &#8212; I must disagree most strongly with your reaction to Monsieur LeRiche.  His technique is impeccable and his playfulness is only made more apparent by his ability to call upon a lushness and quick-fire attack at will.  While I find comparisons odious in the extreme &#8212; are we looking at the dancer/dance in its own light at the moment or not? &#8212; I have seen many soloists dance this work and found LeRiche to be among the greatest.</p>
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		<title>By: Philip</title>
		<link>http://dancingperfectlyfree.com/2008/06/18/new-york-city-ballet-bach-to-glass-a-musical-odyssey-ii/#comment-377</link>
		<dc:creator><![CDATA[Philip]]></dc:creator>
		<pubDate>Wed, 18 Jun 2008 19:52:33 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.wordpress.com/?p=413#comment-377</guid>
		<description><![CDATA[I thought, as you did, that Rebecca Krohn and Tyler Angle brought a really distinctive feeling to their duet passages in GLASS PIECES. I feel sure that we will soon be seeing them in the central pas de deux of this ballet which - I agree with you - is one of the best of the Robbins rep.]]></description>
		<content:encoded><![CDATA[<p>I thought, as you did, that Rebecca Krohn and Tyler Angle brought a really distinctive feeling to their duet passages in GLASS PIECES. I feel sure that we will soon be seeing them in the central pas de deux of this ballet which &#8211; I agree with you &#8211; is one of the best of the Robbins rep.</p>
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