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	<title>Comments on: Merce Cunningham&#8217;s Nearly Ninety at BAM</title>
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		<title>By: Merce Cunningham (1919 &#8211; 2009) &#171; Dancing Perfectly Free</title>
		<link>http://dancingperfectlyfree.com/2009/04/19/merce-cunninghams-nearly-ninety-at-bam/#comment-1099</link>
		<dc:creator><![CDATA[Merce Cunningham (1919 &#8211; 2009) &#171; Dancing Perfectly Free]]></dc:creator>
		<pubDate>Tue, 28 Jul 2009 04:06:55 +0000</pubDate>
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		<description><![CDATA[[...] he was seventy, and continued choreographing until three months ago, when the company performed Nearly Ninety at Brooklyn Academy of Music in honor of Merce’s ninetieth birthday.  He was truly a pioneer and [...]]]></description>
		<content:encoded><![CDATA[<p>[...] he was seventy, and continued choreographing until three months ago, when the company performed Nearly Ninety at Brooklyn Academy of Music in honor of Merce’s ninetieth birthday.  He was truly a pioneer and [...]</p>
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		<title>By: TaraB</title>
		<link>http://dancingperfectlyfree.com/2009/04/19/merce-cunninghams-nearly-ninety-at-bam/#comment-915</link>
		<dc:creator><![CDATA[TaraB]]></dc:creator>
		<pubDate>Sun, 26 Apr 2009 20:52:57 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.com/?p=2354#comment-915</guid>
		<description><![CDATA[Which night did you go?  I saw the Sunday matinee and found the music, lights, and dance riveting!  Especially when the dancer mounted the platform with the musicians--incredible tension and even pathos at that moment.  Suddenly she had added a vertical dimension to what had been almost exclusively 2 dimensional up to that point.  By chance the music was beautiful at that moment too (and would no doubt have lined up differently on the night you saw it).  I didn&#039;t like the noisy bits where people were flailing on instruments, but the electronic parts were exquisite (as were the gradually morphing costumes)!]]></description>
		<content:encoded><![CDATA[<p>Which night did you go?  I saw the Sunday matinee and found the music, lights, and dance riveting!  Especially when the dancer mounted the platform with the musicians&#8211;incredible tension and even pathos at that moment.  Suddenly she had added a vertical dimension to what had been almost exclusively 2 dimensional up to that point.  By chance the music was beautiful at that moment too (and would no doubt have lined up differently on the night you saw it).  I didn&#8217;t like the noisy bits where people were flailing on instruments, but the electronic parts were exquisite (as were the gradually morphing costumes)!</p>
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		<title>By: mc</title>
		<link>http://dancingperfectlyfree.com/2009/04/19/merce-cunninghams-nearly-ninety-at-bam/#comment-909</link>
		<dc:creator><![CDATA[mc]]></dc:creator>
		<pubDate>Tue, 21 Apr 2009 01:42:50 +0000</pubDate>
		<guid isPermaLink="false">http://dancingperfectlyfree.com/?p=2354#comment-909</guid>
		<description><![CDATA[couldn&#039;t agree more. the choreography, while great, was completely overshadowed by the terrible music and set.  a miserable waste of 90 minutes.]]></description>
		<content:encoded><![CDATA[<p>couldn&#8217;t agree more. the choreography, while great, was completely overshadowed by the terrible music and set.  a miserable waste of 90 minutes.</p>
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		<title>By: MERCE AT 90 at Swan Lake Samba Girl</title>
		<link>http://dancingperfectlyfree.com/2009/04/19/merce-cunninghams-nearly-ninety-at-bam/#comment-904</link>
		<dc:creator><![CDATA[MERCE AT 90 at Swan Lake Samba Girl]]></dc:creator>
		<pubDate>Mon, 20 Apr 2009 06:10:49 +0000</pubDate>
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		<description><![CDATA[[...] Blogger Evan Namerow of Dancing Perfectly Free talks about the role of chance operations in NN; [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Blogger Evan Namerow of Dancing Perfectly Free talks about the role of chance operations in NN; [...]</p>
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