"King of Twist", Chubby Checker

Tune in to WNYC’s Soundcheck this week to learn about dance crazes throughout history. Soundcheck, WNYC’s daily music and conversation program, has kicked off a week-long series dedicated to the subject. On the first show, host John Schaefer discussed the twist with dance historian and Florida State University professor Sally Sommer.  The second half of the show was devoted to TV’s important role in dance fads, along with the impact of icons like the late Dick Clark. Additional topics will include US dance crazes that were inspired by African-American social dances, the evolution of moshing and mosh pits, and the wave of Cuban and Latin dance crazes.  The full audio of the segments can be found here. Enjoy!

Carrie Ahern's "Borrowed Prey", photo by Kris Martin

I was filled with both trepidation and curiosity when I received the press release for Carrie Ahern‘s latest project. Borrowed Prey, a solo conceived, directed, researched, and performed by Ahern, will come to a butcher shop at Chelsea Market next week. Yes, a butcher shop. It doesn’t sound like it’s for the faint of heart, and I’m still unsure of how to prepare for this type of experience. Below is an excerpt from the press release. Tickets to Borrowed Prey can be purchased here. Performances are April 26th through May 13th – Thursdays and Fridays at 9pm, Saturdays and Sundays at 8pm. Go see it if you dare.

Carrie Ahern Dance/Present Pariah, Inc is pleased to present the world premiere of Borrowed Prey inside the Chelsea Market, 75 Ninth Avenue, NYC, at Dicksonʼs Farmstand MeatsBorrowed Prey is an hour-long solo performance by Carrie Ahern inside a butcher shop. Borrowed Prey is a provocative investigation into our relationship to the animals most of us consume. Bringing together 4 strands of research: hunting, butchering, and slaughtering of animals, plus the work of animal behavior scientist and autistic Dr. Temple Grandin, Borrowed Prey attempts to illuminate more about the true “farm to table” process and our human capacity for empathy.  Ahern questions the slippery nature of anthropomorphism and death in our culture. The work includes butchering of a lamb and meat will be made available for sale post show.

The Leader as Artist

September 10, 2011

I’m reading a book called Reframing Organizations: Artistry, Choice, and Leadership for one of my graduate courses, and was really struck by a paragraph that I thought was worth sharing. The authors, Lee G. Bolman and Terrence E. Deal, were discussing the lack of imagination that is all too common in leaders and managers, and how important imaginative thinking is in order to tackle organizational challenges.  I agree wholeheartedly with them.

“Artistry is neither exact nor precise.  Artists interpret experience and express it in forms that can be felt, understood, and appreciated by others. Art embraces emotion, subtlety, ambiguity.  An artist reframes the world so others can see new possibilities.  Modern organizations often rely too much on engineering and too little on art in searching for attributes such as quality, commitment, and creativity.  Art is not a replacement for engineering but an enhancement.  Artistic leaders and managers help us see beyond today’s reality to new forms that release untapped individual energies and improve collective performance.  The leader as artist relies on images as well as memos, poetry as well as policy, reflection as well as command, and reframing as well as refitting.”

-From Reframing Organizations: Artistry, Choice, and Leadership (Bolman & Deal, 2003)

FORA.tv has partnered with MacNeil/Lehrer Productions to present Masters of Modern Dance, a video series featuring in-depth interviews and rehearsal footage with five leading male choreographers: Mikhail Baryshnikov, Bill T. Jones, Trey McIntyre, Mark Morris, and Paul Taylor.  Each video in the series is 30 to 55 minutes long and includes exclusive behind the scenes footage of the choreographers, rehearsals, and performances.  Some excerpts from the series are available on FORA.tv’s site for free (see below), but to watch the full series requires purchase.  Fortunately, FORA.tv has created a special discount offer for Dancing Perfectly Free readers! 

You can get 20% off the entire series by doing the following:

1. Visit Masters of Modern Dance at Fora.tv
2. Click on the “BUY ALL NOW” button under the red offer box.
3. Join FORA.tv (FREE) or log in if already a member.
4. At checkout, enter coupon code: DPF20 and click “Apply”
5. Enjoy the series!  The programs are available for 60 days after purchase.  Limit one coupon per person.

Below are links to the free clips:

Trey McIntyre: Rehearsal Excerpt

Trey McIntyre Dance Company Steals Hearts in Heartland

Bill T. Jones: Rehearsal Excerpt

Bill T. Jones: Bringing Art to an Evolving Audience

Mikhail Baryshnikov: Rehearsal Excerpt

Baryshnikov on Opening the Baryshnikov Arts Center 

Paul Taylor: Rehearsal Excerpt

Paul Taylor Puts Dancers’ Morale Above Choreography 

Mark Morris: Rehearsal Excerpt

Mark Morris: Why the Public Fears Modern Dance

My friend and college classmate, Sydnie L. Mosley, has initiated an exciting project that has the potential to have a powerful impact on women.

The Window Sex Project addresses and tackles the every day practice in which women are “window shopped,” that is, forced to bear unsolicited verbal harassment from men while walking down the street. Through community workshops and choreographed performance, The Window Sex Project will give voice to these concerns and restore agency to women by equipping them to manage street harassment, celebrating their bodies and creating a public artwork, specifically a dance performance which takes place in an art gallery.  In addition, the project encourages women to share their stories about street harassment.

The performance component of The Window Sex Project investigates how a woman’s sexuality is perceived based on the physical attributes of skin color and body type. The work places six women of varying races and body types on pedestals in an art gallery setting, forcing audiences to contend with the objectification of the female body in a contemporary society. The project aims to equally celebrate all the bodies illustrating how each woman’s sexuality is unique to her rather than outside perceptions. This work is grounded in personal experiences, feminist theory, and a collective need to take action.

The community workshops aim to address and tackle street harassment in Harlem in both a practical and creative manner. The workshops rooted in movement, discussion and healthy eating will investigate the way in which the bodies of women in Harlem are perceived.  Registration is now open for the first two community workshops to take place on June 25th at Grosvenor House YMCA and July 16th at Barnard College.

The Window Sex Project is a Harlem community arts and performance initiative produced by Sydnie L. Mosley Dances in partnership with Grosvenor House YMCA, Barnard College Dance Department, Barnard Center for Research on Women, Hollaback! NYC, RINY Media, and the Citizens Committee of NYC.

Follow

Get every new post delivered to your Inbox.

Join 73 other followers