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New York City Ballet – Bach to Glass: A Musical Odyssey II
NYCB dancers in the final pose from Robbins’ Glass Pieces, photo by Paul Kolnik Tuesday evening’s program at New York City Ballet took the audience on a musical journey from Bach’s solo piano and solo cello pieces, to an early … Continue reading →
Posted in ballet, criticism, Dance, Dance writing, International, music, New York City Ballet, Photography, Reviews, wendy whelan
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Tagged 2 and 3 Part Inventions, A Suite of Dances, Adrian Danchig-Waring, Akhnaten, Alban Berg, Bach, Bach to Glass, ballet, Baryshinkov, Baryshnikov, Charles Askegard, choreography, Dance, Facades, Glass Pieces, Glassworks, In Memory Of, Jacques Moatti, Jared Angle, Jerome Robbins, Maria Kowroski, New York City Ballet, Nicolas Le Riche, NYCB reviews, Paris Opera Ballet, paul kolnik, Philip Glass, Philip Neal, Rebecca Krohn, Rubric, School of American Ballet, Tyler Angle, wendy whelan, White Oak Dance Project
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