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Tag Archives: Adrian Danchig-Waring
New York City Ballet’s American Music Festival
The past year has been a festival-heavy one for New York City Ballet, and while the fall and winter seasons showcased works with scores by Stravinsky and Tchaikovsky, the first three weeks of New York City Ballet’s spring season celebrated … Continue reading
Posted in Balanchine, ballet, criticism, Dance, History, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Teresa Reichlen, wendy whelan
Tagged ballet, wendy whelan, Adrian Danchig-Waring, Dance, Philip Glass, New York City Ballet, Jerome Robbins, George Balanchine, Teresa Reichlen, Megan Fairchild, Jared Angle, Andrew Veyette, Georgina Pazcoguin, Western Symphony, Hershy Kay, NY Export: Opus Jazz, Robert Prince, Glass Pieces, jazz, chase finlay, ashley laracey, american music festival, taylor stanley
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New York City Ballet’s All-Robbins Program
After last week’s all-Balanchine program, New York City Ballet presented three of Jerome Robbins’s ballets on Friday evening. Opus 19/The Dreamer is one of his most breathtaking works – always a pleasure to watch and always something newly discovered. While … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, wendy whelan
Tagged 2 & 3 Part Inventions, Adrian Danchig-Waring, ashley laracey, Bach, Balanchine, chase finlay, Dance, daniel applebaum, fred astaire, Gonzalo Garcia, I'm Old Fashioned, Jenifer Ringer, Jerome Robbins, jorge luis borges, Kathryn Morgan, Morton Gould, New York City, New York City Ballet, Opus 19/The Dreamer, Prokofiev, Rebecca Krohn, rita hayworth, the circular ruins, Tyler Angle, wendy whelan
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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Glass Pieces at New York City Ballet
This week, New York City Ballet will perform Jerome Robbins’ Glass Pieces on its “Founding Choreographers II” program. Named after the work’s composer (Philip Glass), Glass Pieces is memorable for its pulsating rhythms and urban streetscape created by a large … Continue reading
