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Tag Archives: christopher wheeldon
Morphoses, Year Three
Morphoses in Christopher Wheeldon’s Rhapsody Fantaisie, photo by Erin Baiano During its third season at City Center last week, Morphoses/The Wheeldon Company offered six ballets over two programs, along with behind-the-scenes videos of the dancers rehearsing at Martha’s Vineyard, live … Continue reading
Posted in ballet, christopher wheeldon, Dance, Morphoses, music, New York City, Reviews, wendy whelan
Tagged Arvo Part, Balanchine, ballet, christopher wheeldon, city center, continuum, Dance, Drew Jacoby, Gyorgy Ligeti, Morphoses, Morphoses/The Wheeldon Company, New York City, New York City Ballet, Polyphonia, Rubinald Pronk, wendy whelan
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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New York City Ballet’s Tribute to Nureyev
NYCB dancers in Douglas Lee’s Lifecasting, photo by Paul Kolnik George Balanchine is a lucky man. Every year he receives a new ballet on his birthday, January 22, from New York City Ballet. This year, the company not only honored … Continue reading
Posted in music, Dance, Reviews, New York City Ballet, New York City, International, wendy whelan, Balanchine, ballet, Robert Fairchild, christopher wheeldon
Tagged ballet, wendy whelan, ashley bouder, christopher wheeldon, Gonzalo Garcia, paul kolnik, music, Tchaikovsky, New York City Ballet, New York City, George Balanchine, Abi Stafford, Balanchine, Arvo Part, Robert Fairchild, Steve Reich, Tiler Peck, Rachel Rutherford, Joaquin De Luz, Angelin Preljocaj, Vivaldi, Sebastien Marcovici, After the Rain, new combinations, rudolf nureyev, rudolf nureyev fund for emerging choreographers, flower festival in genzano, douglas lee, lifecasting, ryoji ikeda, la stravaganza, theme and variations
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Upcoming Performances
Gallim Dance in I Can See Myself in Your Pupil, photo by Christopher Duggan The new year kicks off with plenty of dance performances. Here are some of the offerings during the first two weeks of January. New York City … Continue reading
Posted in Balanchine, ballet, Cedar Lake Contemporary Ballet, christopher wheeldon, Dance, Gina Gibney Dance, International, Joyce, Joyce Theater, modern dance, music, New York City, New York City Ballet, Videos
Tagged After the Rain, Alexei Ratmansky, Andrea Miller, Arvo Part, Balanchine, Ballet X, batsheva dance company, Blush, Brian Brooks Moving Company, Cedar Lake, Cedar Lake Contemporary Ballet, Chiaroscuro, christopher wheeldon, Concerto DSCH, Coppelia, Crystal Pite, Didy Veldman, East Village Opera Company, Gallim Dance, Gina Gibney Dance, Gotham Dance, Guggenheim, I Can See Myself In Your Pupil, Joyce Soho, Joyce Theater, Liturgy, Luca Veggetti, Lynne Taylor-Corbett, New York City, New York City Ballet, ohad naharin, Parsons Dance, Symphony Space, Works and Process
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