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Tag Archives: Gonzalo Garcia
New York City Ballet’s Tribute to Nureyev
NYCB dancers in Douglas Lee’s Lifecasting, photo by Paul Kolnik George Balanchine is a lucky man. Every year he receives a new ballet on his birthday, January 22, from New York City Ballet. This year, the company not only honored … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, Dance, International, music, New York City, New York City Ballet, Reviews, Robert Fairchild, wendy whelan
Tagged Abi Stafford, After the Rain, Angelin Preljocaj, Arvo Part, ashley bouder, Balanchine, ballet, christopher wheeldon, douglas lee, flower festival in genzano, George Balanchine, Gonzalo Garcia, Joaquin De Luz, la stravaganza, lifecasting, music, new combinations, New York City, New York City Ballet, paul kolnik, Rachel Rutherford, Robert Fairchild, rudolf nureyev, rudolf nureyev fund for emerging choreographers, ryoji ikeda, Sebastien Marcovici, Steve Reich, Tchaikovsky, theme and variations, Tiler Peck, Vivaldi, wendy whelan
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New York City Ballet: All Robbins
Last spring, New York City Ballet celebrated the 10-year anniversary of Jerome Robbins’ death with the Jerome Robbins Celebration. This season, the company pays tribute to the choreographer with the “All Robbins” program, which will be performed for the last … Continue reading
Posted in ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild, Sterling Hyltin, wendy whelan
Tagged ballet, Beethoven, Dance, Four Bagatelles, Gonzalo Garcia, I'm Old Fashioned, Interplay, Jerome Robbins, Morton Gould, Nancy McDill, New York City, New York City Ballet, Rebecca Krohn, Robert Fairchild, sean suozzi, Sebastien Marcovici, Sterling Hyltin, Stravinsky, The Cage, Tiler Peck, wendy whelan
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Morphoses: Gala Performance
Last year, Morphoses/The Wheeldon Company tried to prove that “Ballet=Sexy” in an attempt to overturn the belief that ballet is all about tutus and dying swans. After watching Wednesday evening’s gala performance at City Center, it was unclear if that’s … Continue reading
Posted in ballet, criticism, Dance, Dance writing, film, International, Morphoses, music, New York City, New York City Ballet, Photography, Reviews, Teresa Reichlen, wendy whelan
Tagged ballet, Beatriz Stix-Brunell, Celine Cassone, christopher wheeldon, city center, Commedia, contemporary ballet, Craig Hall, Dance, Drew Jacoby, Edwaard Liang, Edward Watson, Erik Satie, Frederick Ashton, Gonzalo Garcia, Isabel Toledo, Jason Fowler, Leanne Benjamin, Ligeti, Maria Kowroski, Monotones II, Morphoses, Morphoses 2nd season, Morphoses at City Center, Morphoses Gala, Morphoses/The Wheeldon Company, music, New York City, performance, Photography, Polyphonia, Rory Hohenstein, Ruben Toledo, Rubinald Pronk, Six Fold Illuminate, Steve Reich, Stravinsky, Teresa Reichlen, Tiler Peck, Tyler Angle, wendy whelan, Yaniv Schulman
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New York City Ballet: Gala at SPAC
Saturday’s Gala at the Saratoga Performing Arts Center had a relaxed, laid-back feel that matched the hot, humid evening, but the outdoor setting and sticky weather didn’t stop the crowds from dressing up for the occasion. Nor was the event … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City Ballet, sara mearns, wendy whelan
Tagged Adrian Danchig-Waring, Amar Ramasar, Andrew Veyette, ashley bouder, Austin Laurent, Balanchine, ballet, Benjamin Millepied, brahms, Brahms/Handel, Dance, David Prottas, Georgina Pazcoguin, Gonzalo Garcia, handel, Henry Seth, Jared Angle, Jerome Robbins, Leonard Bernstein, New York City Ballet, new york city ballet reviews, Opus 19/The Dreamer, Peter Martins, Prokofiev, rita moreno, sara mearns, Saratoga Performing Arts Center, sean suozzi, SPAC, stephen sondheim, Tiler Peck, Twyla Tharp, wendy whelan, West Side Story, West Side Story Suite
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