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Estancia at New York City Ballet
In its four-week season at Lincoln Center, New York City Ballet has brought back several of the new ballets from its spring season, many of which included collaborations with architect Santiago Calatrava. One was Christopher Wheeldon’s Estancia, which truly shined … Continue reading
Posted in ballet, christopher wheeldon, Dance, music, New York City, New York City Ballet, Reviews
Tagged agnes de mille, alberto ginastera, Andrew Veyette, argentina, ballet, christopher wheeldon, Dance, estancia, Georgina Pazcoguin, New York City, New York City Ballet, rodeo, santiago calatrava, Tiler Peck, Tyler Angle
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Morphoses to Adopt a Curatorial Model
Morphoses in Christopher Wheeldon’s Rhapsody Fantaisie, photo by Erin Baiano After an announcement earlier this week about Christopher Wheeldon’s departure from Morphoses/The Wheeldon Company, which he established in 2007, the company released a statement today about its plans for the … Continue reading
Posted in ballet, christopher wheeldon, Dance, Morphoses, New York City
Tagged ballet, christopher wheeldon, Dance, lourdes lopez, Morphoses, morphoses company, New York City
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Morphoses, Year Three
Morphoses in Christopher Wheeldon’s Rhapsody Fantaisie, photo by Erin Baiano During its third season at City Center last week, Morphoses/The Wheeldon Company offered six ballets over two programs, along with behind-the-scenes videos of the dancers rehearsing at Martha’s Vineyard, live … Continue reading
Posted in ballet, christopher wheeldon, Dance, Morphoses, music, New York City, Reviews, wendy whelan
Tagged Arvo Part, Balanchine, ballet, christopher wheeldon, city center, continuum, Dance, Drew Jacoby, Gyorgy Ligeti, Morphoses, Morphoses/The Wheeldon Company, New York City, New York City Ballet, Polyphonia, Rubinald Pronk, wendy whelan
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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New York City Ballet’s Tribute to Nureyev
NYCB dancers in Douglas Lee’s Lifecasting, photo by Paul Kolnik George Balanchine is a lucky man. Every year he receives a new ballet on his birthday, January 22, from New York City Ballet. This year, the company not only honored … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, Dance, International, music, New York City, New York City Ballet, Reviews, Robert Fairchild, wendy whelan
Tagged Abi Stafford, After the Rain, Angelin Preljocaj, Arvo Part, ashley bouder, Balanchine, ballet, christopher wheeldon, douglas lee, flower festival in genzano, George Balanchine, Gonzalo Garcia, Joaquin De Luz, la stravaganza, lifecasting, music, new combinations, New York City, New York City Ballet, paul kolnik, Rachel Rutherford, Robert Fairchild, rudolf nureyev, rudolf nureyev fund for emerging choreographers, ryoji ikeda, Sebastien Marcovici, Steve Reich, Tchaikovsky, theme and variations, Tiler Peck, Vivaldi, wendy whelan
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