Park Avenue Armory has commissioned dance pioneer Reggie “Regg Roc” Gray and visionary director Peter Sellars to create a performance piece that transforms the tradition of flex, the Brooklyn-born street dance. Characterized by sharp, rhythmic contortion, pausing, snapping, gliding, and animated showmanship, the flex form evolved from the Jamaican bruk-up style popular in the dance halls and reggae clubs of Brooklyn in the 1990s. Opening in March 2015, and marking the first presentation of the Armory’s 2015 artistic season, FLEXN transforms the dance from its traditional, individual, combative style to create a collaborative work of social commentary and storytelling. Continue reading
Posted in Dance, music, New York City, Photography
Tagged Dance, DJ Epic, flexn, Park Avenue Armory, peter sellars, Photography, reggie gray, reggie regg roc gray, richard ross
The documentary BALLET 422 is set for theatrical release on February 6th, 2015 from Magnolia Pictures. Directed by Jody Lee Lipes and produced by Ellen Bar and Anna Rose Holmer, BALLET 422 takes the viewer backstage at New York City Ballet as dancer and rising choreographer Justin Peck (who is now NYCB’s resident choreographer) crafts a new work for the company’s 2013 winter season. The film follows Peck as he collaborates with musicians, lighting designers, costume designers, and his fellow dancers to create Paz de la Jolla, NYCB’s 422nd new ballet. The film captures a process that has never before been documented at New York City Ballet in its entirety.
Posted in ballet, Dance, New York City, New York City Ballet, Videos
Tagged anna rose holmer, ballet, ballet 422, Dance, dance movies, Ellen Bar, jody lee lipes, Justin Peck, New York City Ballet, paz de la jolla
New York City Ballet dancer Lauren Lovette in Iris Van Herpen’s costume for Benjamin Millepied’s “Neverwhere”, photo by Erin Baiano
Today I stopped by the Museum at FIT to check out “Dance & Fashion”, an exhibit that explores the relationship between the two art forms. Nearly 100 dance costumes and dance-inspired fashions are on display, ranging from the 19th century to present day. This post includes photos of several ballets whose costumes were included in the exhibit. Continue reading
Posted in American Ballet Theatre, art, Balanchine, ballet, Dance, Education, Entertainment, History, modern dance, New York City, New York City Ballet, wendy whelan
Tagged Benjamin Millepied, christian dior, christian laboutin, Dance, david michalek, fashion, fashion institute of technology, FIT, herman schmerman, In The Upper Room, lauren lovette, marc happel, Maria Kowroski, Martha Graham, Merce Cunningham, Museum at FIT, narciso rodriguez, New York City Ballet, norma kamali, peter martine, rei kawakubo, Robert Fairchild, Stephen Petronio, Tiler Peck, valentino, wendy whelan
Wendy Whelan in George Balanchine’s “Symphony in Three Movements”, photo courtesy of New York City Ballet
“There is so much untapped movement in me.” These are some of the words Wendy Whelan shared in a video clip shown last Saturday evening at her final performance as a principal dancer with New York City Ballet. Even though she has already had a remarkable 30-year career with the company, and at 47, is a dinosaur in the ballet world, Whelan is in no way retiring from dancing. Thankfully. According to Whelan, she has a lot more to say through dance now than she ever did in her twenties.
While it is a huge loss for City Ballet, where she debuted countless original roles by rising choreographers and put her own unique stamp on myriad roles in works by George Balanchine and Jerome Robbins, the tone at Saturday’s farewell was celebratory and upbeat. Footage from a forthcoming documentary about Whelan emphasized that she is already making moves in the contemporary dance world. Her Restless Creature collaboration with four contemporary choreographers continues touring this spring, and she has other projects in the works. If it’s not already clear, every dancer and choreographer is dying to work with her. Continue reading
Posted in Balanchine, ballet, New York City, New York City Ballet, Reviews, wendy whelan
Tagged After the Rain, Alexei Ratmansky, by 2 with & from, christopher wheeldon, Concerto DSCH, la sonnambula, New York City Ballet, restless creature, wendy whelan, wendy whelan farewell performance
On October 18, Wendy Whelan will end her 30-year career at New York City Ballet with a farewell performance. It sold out in minutes, and plenty of her fans won’t be able to watch in person. Over the weekend, a petition was started on Facebook to get New York City Ballet to live stream the performance. The page already has more than 1,000 likes. If you support this effort, go ahead and give it a thumbs up. It will be quite a win if City Ballet listens and moves forward with live streaming. And it would surely be memorable and meaningful for Whelan’s fans around the world.