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Tag Archives: Amar Ramasar
All Robbins at New York City Ballet
Though I had seen all three works on New York City Ballet’s Jerome Robbins program – Glass Pieces, Opus 19/The Dreamer, and The Concert (Or, The Perils of Everybody) – several times in the past, I was eager to see … Continue reading
Posted in Jerome Robbins, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Amar Ramasar, Chopin, elaine chelton, Glass Pieces, Gonzalo Garcia, Jerome Robbins, Maria Kowroski, New York City Ballet, Opus 19/The Dreamer, Philip Glass, Prokofiev, Rebecca Krohn, Sterling Hyltin, wendy whelan
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New York City Ballet’s Greek Trilogy
New York City Ballet’s four-week fall season opened last week with a celebration of George Balanchine and Igor Stravinsky’s remarkable collaboration. Not only did Wednesday’s program feature works that highlight their partnership, but it also formed a Greek trilogy. Apollo … Continue reading
Posted in Balanchine, ballet, criticism, Dance, music, New York City, New York City Ballet
Tagged agon, Amar Ramasar, apollo, Balanchine, ballet, chase finlay, Dance, George Balanchine, Igor Stravinsky, Janie Taylor, Maria Kowroski, New York City, New York City Ballet, orpheus, Sebastien Marcovici, Teresa Reichlen
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New York City Ballet: Many Moods Among Pieces of Glass
New York City Ballet in Glass Pieces, photo by Paul Kolnik A last-minute program change at New York City Ballet on Saturday evening placed two Balanchine works side by side: one was sharp and sexy while the other was chipper … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild, Sterling Hyltin
Tagged Amar Ramasar, Balanchine, ballet, Donizetti Variations, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Kaitlyn Gilliland, Megan Fairchild, New York City, New York City Ballet, Rebecca Krohn, Robert Fairchild, Sebastien Marcovici, Sterling Hyltin, Stravinsky Violin Concerto
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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New York City Ballet: Gala at SPAC
Saturday’s Gala at the Saratoga Performing Arts Center had a relaxed, laid-back feel that matched the hot, humid evening, but the outdoor setting and sticky weather didn’t stop the crowds from dressing up for the occasion. Nor was the event … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City Ballet, sara mearns, wendy whelan
Tagged Adrian Danchig-Waring, Amar Ramasar, Andrew Veyette, ashley bouder, Austin Laurent, Balanchine, ballet, Benjamin Millepied, brahms, Brahms/Handel, Dance, David Prottas, Georgina Pazcoguin, Gonzalo Garcia, handel, Henry Seth, Jared Angle, Jerome Robbins, Leonard Bernstein, New York City Ballet, new york city ballet reviews, Opus 19/The Dreamer, Peter Martins, Prokofiev, rita moreno, sara mearns, Saratoga Performing Arts Center, sean suozzi, SPAC, stephen sondheim, Tiler Peck, Twyla Tharp, wendy whelan, West Side Story, West Side Story Suite
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