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New York City Ballet’s American Music Festival
The past year has been a festival-heavy one for New York City Ballet, and while the fall and winter seasons showcased works with scores by Stravinsky and Tchaikovsky, the first three weeks of New York City Ballet’s spring season celebrated … Continue reading
Posted in Balanchine, ballet, criticism, Dance, History, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Teresa Reichlen, wendy whelan
Tagged Adrian Danchig-Waring, american music festival, Andrew Veyette, ashley laracey, ballet, chase finlay, Dance, George Balanchine, Georgina Pazcoguin, Glass Pieces, Hershy Kay, Jared Angle, jazz, Jerome Robbins, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, Philip Glass, Robert Prince, taylor stanley, Teresa Reichlen, wendy whelan, Western Symphony
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New York City Ballet’s All-Robbins Program
After last week’s all-Balanchine program, New York City Ballet presented three of Jerome Robbins’s ballets on Friday evening. Opus 19/The Dreamer is one of his most breathtaking works – always a pleasure to watch and always something newly discovered. While … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, wendy whelan
Tagged 2 & 3 Part Inventions, Adrian Danchig-Waring, ashley laracey, Bach, Balanchine, chase finlay, Dance, daniel applebaum, fred astaire, Gonzalo Garcia, I'm Old Fashioned, Jenifer Ringer, Jerome Robbins, jorge luis borges, Kathryn Morgan, Morton Gould, New York City, New York City Ballet, Opus 19/The Dreamer, Prokofiev, Rebecca Krohn, rita hayworth, the circular ruins, Tyler Angle, wendy whelan
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