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New York City Ballet’s All-Robbins Program
After last week’s all-Balanchine program, New York City Ballet presented three of Jerome Robbins’s ballets on Friday evening. Opus 19/The Dreamer is one of his most breathtaking works – always a pleasure to watch and always something newly discovered. While … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, wendy whelan
Tagged 2 & 3 Part Inventions, Adrian Danchig-Waring, ashley laracey, Bach, Balanchine, chase finlay, Dance, daniel applebaum, fred astaire, Gonzalo Garcia, I'm Old Fashioned, Jenifer Ringer, Jerome Robbins, jorge luis borges, Kathryn Morgan, Morton Gould, New York City, New York City Ballet, Opus 19/The Dreamer, Prokofiev, Rebecca Krohn, rita hayworth, the circular ruins, Tyler Angle, wendy whelan
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Lateral Inhibition
I wish I could write a full review of the DNA performance, but my vantage point was from the wings, where I jogged in place to keep warm and anxiously waited to go on as one of six dancers in the contemporary ballet piece. Continue reading
Cedar Lake Contemporary Ballet – Spring Season
Cedar Lake dancers in Jo Stromgren’s Sunday, Again, photo by Carina Musk-Anderson On my way to Chelsea on Monday evening for Cedar Lake Contemporary Ballet‘s opening night of their spring season, I reminded myself that I wouldn’t have the freedom … Continue reading
Posted in Cedar Lake Contemporary Ballet, Dance, International, New York City, Photography, Reviews
Tagged Acacia Schachte, Ana-Maria Lucaciu, Angelin Preljocaj, Annonciation, Bach, Carina Musk-Anderson, Cedar Lake Contemporary Ballet, Chelsea, contemporary ballet, Dance, Glassy Essence, Harumi Terayama, In The Upper Room, Jason Kittelberger, Jessica Coleman Scott, Jessica Lee Keller, Jo Stromgren, Jubal Battisti, Lasting Imprint, modern, New York City, Nickemil Concepcion, Nicolo Fonte, NYC, Paul B. Goode, spring season, Steve Reich, Sunday Again, Triple Quartet, Twyla Tharp, Vivaldi
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