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Tag Archives: Decadance
Out of Focus: A Documentary on Ohad Naharin
In a small screening room at 92Y Tribeca last Thursday evening, Israeli filmmaker Tomer Heymann said that seeing Batsheva Dance Company perform for the first time felt like “the best drugs I’d ever taken”. It was the start of his … Continue reading
Posted in Cedar Lake Contemporary Ballet, criticism, Dance, Entertainment, film, International, modern dance, New York City, Reviews
Tagged batsheva dance company, Cedar Lake Contemporary Ballet, Dance, Decadance, documentary, film, Gaga movement language, israel, movement, New York City, ohad naharin, Tomer Heymann
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Arts Journalism and Naharin Film at 92Y Tribeca
On April 30th, 92Y Tribeca is hosting two exciting, back to back events. The first, at 7 PM, is a talk entitled Print vs. Blog: The Many Faces of Cultural Journalism, which examines the evolving arts journalism landscape. Staff from … Continue reading
Posted in BAM, Cedar Lake Contemporary Ballet, Dance, film, International, modern dance, New York City, Videos
Tagged 92Y Tribeca, arts, arts blogging, arts journalism, batsheva dance company, Cedar Lake Contemporary Ballet, Decadance, gaga, Gaga movement language, Gaga technique, Gothamist, Israeli, Max, New York City, ohad naharin, Out of Focus, Tomer Heymann, Village Voice
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Batsheva Performs “Max” at BAM
Batsheva dancers in Max, photo by Gadi Dagon In Ohad Naharin’s Max, which had its NYC premiere at the Brooklyn Academy of Music on Wednesday evening, ten dancers move fluidly from striking gestural language to full-bodied, kinetic movement; from tight … Continue reading
Posted in BAM, Dance, International, music, New York City, Reviews
Tagged BAM, batsheva dance company, Brooklyn Academy of Music, Dance, Decadance, Gadi Dagon, israel, Max, Maxim Waratt, New York City, ohad naharin, Telophaza
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Gallim Dance: I Can See Myself in Your Pupil
Gallim Dance in I Can See Myself in Your Pupil, photo by Christopher Duggan Gallim is a fitting name for the dance company that Andrea Miller formed in 2006. It means “waves” in Hebrew, and Gallim Dance is making lots … Continue reading
Posted in criticism, Dance, International, Joyce, modern dance, New York City, Reviews
Tagged Andrea Miller, Balkan Beat Box, batsheva dance company, Batsheva Ensemble, Chris Clark, Dance, Decadance, Francesca Romo, Gallim, Gallim Dance, I Can See Myself In Your Pupil, Jason Fordham, Jessica Lee Keller, Joyce Soho, modern dance, New York City, ohad naharin, tony gatlif, Troy Ogilvie
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Cedar Lake’s The Copier: Behind the Scenes
Cedar Lake Contemporary Ballet appeared on my radar screen after the company reached out to dance bloggers during their 2008 winter season. I was immediately impressed by the dancers, the diverse repertoire, and the welcoming staff. Since then, I’ve returned … Continue reading
Posted in ballet, Cedar Lake Contemporary Ballet, Dance, Dance writing, music, New York City, The Copier Mini-Series
Tagged ballet, Cedar Lake, Cedar Lake Contemporary Ballet, choreography, Dance, Decadance, Glassy Essence, installation series, Jill Johnson, New York City, ohad naharin, The Copier, The Copier Mini-Series
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