Tag Archives: Decadance

Out of Focus: A Documentary on Ohad Naharin

In a small screening room at 92Y Tribeca last Thursday evening, Israeli filmmaker Tomer Heymann said that seeing Batsheva Dance Company perform for the first time felt like “the best drugs I’d ever taken”. It was the start of his … Continue reading

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Arts Journalism and Naharin Film at 92Y Tribeca

On April 30th, 92Y Tribeca is hosting two exciting, back to back events. The first, at 7 PM, is a talk entitled Print vs. Blog: The Many Faces of Cultural Journalism, which examines the evolving arts journalism landscape. Staff from … Continue reading

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Batsheva Performs “Max” at BAM

Batsheva dancers in Max, photo by Gadi Dagon In Ohad Naharin’s Max, which had its NYC premiere at the Brooklyn Academy of Music on Wednesday evening, ten dancers move fluidly from striking gestural language to full-bodied, kinetic movement; from tight … Continue reading

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Gallim Dance: I Can See Myself in Your Pupil

Gallim Dance in I Can See Myself in Your Pupil, photo by Christopher Duggan Gallim is a fitting name for the dance company that Andrea Miller formed in 2006. It means “waves” in Hebrew, and Gallim Dance is making lots … Continue reading

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Cedar Lake’s The Copier: Behind the Scenes

Cedar Lake Contemporary Ballet appeared on my radar screen after the company reached out to dance bloggers during their 2008 winter season. I was immediately impressed by the dancers, the diverse repertoire, and the welcoming staff. Since then, I’ve returned … Continue reading

Posted in ballet, Cedar Lake Contemporary Ballet, Dance, Dance writing, music, New York City, The Copier Mini-Series | Tagged , , , , , , , , , , , , | 1 Comment