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Tag Archives: Joaquin De Luz
Quadruple Bill at New York City Ballet
Last Wednesday evening, in the final week of its winter season, New York City Ballet presented an array of pieces that spanned from 1957 to 2010. Plainspoken, Benjamin Millepied’s most recent ballet for the company (which premiered last year) featured … Continue reading
Posted in Balanchine, ballet, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged anthony huxley, Balanchine, ballet, Benjamin Millepied, Craig Hall, Dance, David Lang, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Megan Fairchild, New York City, New York City Ballet, Philip Glass, plainspoken, Sterling Hyltin, Tiler Peck, wendy whelan
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Rehearsal Footage from Vail International Dance Festival
The annual Vail International Dance Festival kicked off last week and continues until August 10th. The festival has excelled at utilizing social networks and sharing photos and videos with the many people who cannot make it to Colorado for the … Continue reading
A Farewell to Albert Evans at New York City Ballet
Albert Evans and Wendy Whelan in Herman Schmerman pas de deux, photo by Paul Kolnik On Sunday afternoon, after twenty-two years with New York City Ballet, principal dancer Albert Evans took his final bow at the David H. Koch Theater. … Continue reading
Posted in Balanchine, ballet, Dance, music, New York City, New York City Ballet, Reviews
Tagged Albert Evans, albert evans farewell, Andrew Veyette, Balanchine, ballet, Dance, herman schmerman pas de deux, Joaquin De Luz, lauren king, Megan Fairchild, New York City, New York City Ballet, Sterling Hyltin, The Four Temperaments, versace, wendy whelan, william forsythe
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Damian Woetzel & Michael Sandel: Engaging Audiences through Art & Teaching
Damian Woetzel and Tiler Peck at the Guggenheim Museum, photo by Erin Baiano Last Sunday evening, audience members of the intimate Peter B. Lewis Theater at the Guggenheim Museum learned and performed George Balanchine’s Serenade, with piano accompaniment by Cameron … Continue reading
Posted in art, Balanchine, ballet, Dance, Education, Jerome Robbins, New York City, New York City Ballet, Politics, Reviews
Tagged Afternoon of a Faun, art of teaching, Balanchine, cameron grant, damian woetzel, ethics, Fancy Free, Guggenheim, harvard, Jerome Robbins, Joaquin De Luz, Justice, michael sandel, New York City, New York City Ballet, Other Dances, performance, performing arts, Politics, Robert Fairchild, Serenade, Tiler Peck, Works and Process
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New York City Ballet’s Short Stories
Ashley Bouder in George Balanchine’s Firebird, photo by Paul Kolnik New York City Ballet’s winter season includes many full-length narrative ballets, but on Saturday evening, the company performed a triple bill of short stories. Although the newest one, Firebird, premiered … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild
Tagged ashley bouder, Balanchine, ballet, Dance, Daniel Ulbricht, Fancy Free, firebird, George Balanchine, Georgina Pazcoguin, Jerome Robbins, Joaquin De Luz, Leonard Bernstein, marc chagall, Maria Kowroski, New York City, New York City Ballet, Prodigal Son, Prokofiev, Robert Fairchild, Stravinsky, Tiler Peck, Tyler Angle
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