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Tag Archives: Megan Fairchild
New York City Ballet’s American Music Festival
The past year has been a festival-heavy one for New York City Ballet, and while the fall and winter seasons showcased works with scores by Stravinsky and Tchaikovsky, the first three weeks of New York City Ballet’s spring season celebrated … Continue reading
Posted in Balanchine, ballet, criticism, Dance, History, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Teresa Reichlen, wendy whelan
Tagged Adrian Danchig-Waring, american music festival, Andrew Veyette, ashley laracey, ballet, chase finlay, Dance, George Balanchine, Georgina Pazcoguin, Glass Pieces, Hershy Kay, Jared Angle, jazz, Jerome Robbins, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, Philip Glass, Robert Prince, taylor stanley, Teresa Reichlen, wendy whelan, Western Symphony
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Quadruple Bill at New York City Ballet
Last Wednesday evening, in the final week of its winter season, New York City Ballet presented an array of pieces that spanned from 1957 to 2010. Plainspoken, Benjamin Millepied’s most recent ballet for the company (which premiered last year) featured … Continue reading
Posted in Balanchine, ballet, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged anthony huxley, Balanchine, ballet, Benjamin Millepied, Craig Hall, Dance, David Lang, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Megan Fairchild, New York City, New York City Ballet, Philip Glass, plainspoken, Sterling Hyltin, Tiler Peck, wendy whelan
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A Farewell to Albert Evans at New York City Ballet
Albert Evans and Wendy Whelan in Herman Schmerman pas de deux, photo by Paul Kolnik On Sunday afternoon, after twenty-two years with New York City Ballet, principal dancer Albert Evans took his final bow at the David H. Koch Theater. … Continue reading
Posted in Balanchine, ballet, Dance, music, New York City, New York City Ballet, Reviews
Tagged Albert Evans, albert evans farewell, Andrew Veyette, Balanchine, ballet, Dance, herman schmerman pas de deux, Joaquin De Luz, lauren king, Megan Fairchild, New York City, New York City Ballet, Sterling Hyltin, The Four Temperaments, versace, wendy whelan, william forsythe
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New York City Ballet: Many Moods Among Pieces of Glass
New York City Ballet in Glass Pieces, photo by Paul Kolnik A last-minute program change at New York City Ballet on Saturday evening placed two Balanchine works side by side: one was sharp and sexy while the other was chipper … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild, Sterling Hyltin
Tagged Amar Ramasar, Balanchine, ballet, Donizetti Variations, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Kaitlyn Gilliland, Megan Fairchild, New York City, New York City Ballet, Rebecca Krohn, Robert Fairchild, Sebastien Marcovici, Sterling Hyltin, Stravinsky Violin Concerto
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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