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Architecture of Ballet: Men on Top. Women on Stage.
Tiler Peck working with choreographer Mauro Bigonzetti, photo by Paul Kolnik New York City Ballet’s spring season, a festival entitled Architecture of Dance, includes an astounding seven new ballets. In fact, the company’s recent print brochures, website, and festival mini-site … Continue reading →
Posted in American Ballet Theatre, Balanchine, ballet, criticism, Dance, Education, Jerome Robbins, modern dance, New York City, New York City Ballet
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Tagged architecture of dance, Balanchine, ballet, christopher wheeldon, Claudia La Rocco, Dance, Dance Magazine, gender, gender gap, Jerome Robbins, Mauro Bigonzetti, melissa barak, New York City, New York City Ballet, Tiler Peck, wayne mcgregor, women
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NYCB: 21st Century Movement
A wrap-up of New York City Ballet’s winter season, written by Alastair Macaulay, appeared in the NY Times a few days ago. His assessments of current dancers – both positive and negative – are mostly accurate, and he is correct … Continue reading →
Posted in Balanchine, ballet, criticism, Dance, music, New York City, New York City Ballet, Reviews, Robert Fairchild, sara mearns
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Tagged 21st century movement, a simple symphony, Abi Stafford, Alastair Macaulay, Balanchine, ballet, benjamin britten, christopher wheeldon, Dance, Daniel Ulbricht, darci kistler, George Balanchine, Gonzalo Garcia, hallelujah junction, Jared Angle, John Adams, Jorma Elo, melissa barak, mercurial manoeuvres, New York City, New York City Ballet, Peter Martins, Robert Fairchild, sara mearns, Shostakovich, slice to sharp, Tyler Angle, Vivaldi, von Biber
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