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Tag Archives: Opus 19/The Dreamer
All Robbins at New York City Ballet
Though I had seen all three works on New York City Ballet’s Jerome Robbins program – Glass Pieces, Opus 19/The Dreamer, and The Concert (Or, The Perils of Everybody) – several times in the past, I was eager to see … Continue reading
Posted in Jerome Robbins, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Amar Ramasar, Chopin, elaine chelton, Glass Pieces, Gonzalo Garcia, Jerome Robbins, Maria Kowroski, New York City Ballet, Opus 19/The Dreamer, Philip Glass, Prokofiev, Rebecca Krohn, Sterling Hyltin, wendy whelan
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New York City Ballet’s All-Robbins Program
After last week’s all-Balanchine program, New York City Ballet presented three of Jerome Robbins’s ballets on Friday evening. Opus 19/The Dreamer is one of his most breathtaking works – always a pleasure to watch and always something newly discovered. While … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, wendy whelan
Tagged 2 & 3 Part Inventions, Adrian Danchig-Waring, ashley laracey, Bach, Balanchine, chase finlay, Dance, daniel applebaum, fred astaire, Gonzalo Garcia, I'm Old Fashioned, Jenifer Ringer, Jerome Robbins, jorge luis borges, Kathryn Morgan, Morton Gould, New York City, New York City Ballet, Opus 19/The Dreamer, Prokofiev, Rebecca Krohn, rita hayworth, the circular ruins, Tyler Angle, wendy whelan
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New York City Ballet: Gala at SPAC
Saturday’s Gala at the Saratoga Performing Arts Center had a relaxed, laid-back feel that matched the hot, humid evening, but the outdoor setting and sticky weather didn’t stop the crowds from dressing up for the occasion. Nor was the event … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City Ballet, sara mearns, wendy whelan
Tagged Adrian Danchig-Waring, Amar Ramasar, Andrew Veyette, ashley bouder, Austin Laurent, Balanchine, ballet, Benjamin Millepied, brahms, Brahms/Handel, Dance, David Prottas, Georgina Pazcoguin, Gonzalo Garcia, handel, Henry Seth, Jared Angle, Jerome Robbins, Leonard Bernstein, New York City Ballet, new york city ballet reviews, Opus 19/The Dreamer, Peter Martins, Prokofiev, rita moreno, sara mearns, Saratoga Performing Arts Center, sean suozzi, SPAC, stephen sondheim, Tiler Peck, Twyla Tharp, wendy whelan, West Side Story, West Side Story Suite
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Blogging from ‘Toga
I’m off to the Adirondacks this weekend for some more hiking, biking, and kayaking. On Saturday night, I’ll be heading to the Saratoga Performing Arts Center to see New York City Ballet’s summer Gala performance, which is an all-Jerome Robbins … Continue reading
Posted in ballet, Dance, environment, Jerome Robbins, New York City, New York City Ballet
Tagged Adirondacks, ballet, Brahms/Handel, Dance, Jerome Robbins, New York City, New York City Ballet, NYCB Gala, Opus 19/The Dreamer, performances, Saratoga, Saratoga Performing Arts Center, SPAC, upstate new york, West Side Story Suite
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New York City Ballet – Russian Roots
Wendy Whelan in costume for Opus 19/The Dreamer photo by Josef Astor, Dance Magazine, March 2003 Wednesday evening’s program at the New York State Theater was a quadruple bill of works by Jerome Robbins with music by three Russian composers. … Continue reading
Posted in Dance, music, New York City Ballet, Photography, Reviews, wendy whelan
Tagged Abi Stafford, Amar Ramasar, Andantino, Andrew Veyette, ballet, Dance, Gonzalo Garcia, Jerome Robbins, Joaquin De Luz, Kaitlyn Gilliland, Kathryn Morgan, Les Noces, Megan Fairchild, New York City Ballet, Opus 19/The Dreamer, Piano Pieces, Prokofiev, Rachel Rutherford, Rebecca Krohn, Russia, Russian Roots, sara mearns, Stephen Hanna, Stravinsky, Tchaikovsky, wendy whelan
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