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Tag Archives: Paul B. Goode
Crowd-Pleasers, Inspiration, and History at Fall for Dance
Iyar Elezra and Bobbi Smith in Ohad Naharin’s B/olero, photo by Andrea Mohin The sixth annual Fall for Dance festival, where all seats are just ten dollars, kicked off this past week at City Center. Not surprisingly, the opening program, … Continue reading
Posted in criticism, Dance, History, International, modern dance, music, New York City, Reviews
Tagged Afternoon of a Faun, Altankhuyag Dugaraa, Andrea Mohin, B/oleo, Ballets Russes, batsheva dance company, Bobbi Smith, Boston Ballet, Cartier Williams, city center, Dance, Fall for Dance 2009, Iyar Elezra, jazz, John Coltrane, Laura Halzack, Lorna Feijoo, Mashall Davis Jr., Michael Trusnovec, music, New York City, Offenbach Overtures, ohad naharin, Orion Duckstein, Paul B. Goode, Paul Taylor Dance Company, Ravel, Savion Glover, Sean Mahoney, tap dance, The OtheRz, Vaslav Nijinsky
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Cedar Lake Contemporary Ballet: Open Rehearsal
Cedar Lake dancers rehearsing Didy Veldman’s frame of view, photo by Paul B. Goode Yesterday afternoon I headed to West 26th Street to watch an open studio rehearsal of Cedar Lake Contemporary Ballet. The company is preparing for their winter … Continue reading
Posted in ballet, Cedar Lake Contemporary Ballet, Dance, International, New York City, Photography, Videos
Tagged ballet, Benoit-Swan Pouffer, Caleb Custer, Cedar Lake Contemporary Ballet, Cedar Lake Dance, contemporary ballet, Crystal Pike, Dance, Didy Veldman, frame of view, Luca Veggetti, memory/measure, New York City, Paul B. Goode
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Cedar Lake Contemporary Ballet – Spring Season
Cedar Lake dancers in Jo Stromgren’s Sunday, Again, photo by Carina Musk-Anderson On my way to Chelsea on Monday evening for Cedar Lake Contemporary Ballet‘s opening night of their spring season, I reminded myself that I wouldn’t have the freedom … Continue reading
Posted in Cedar Lake Contemporary Ballet, Dance, International, New York City, Photography, Reviews
Tagged Acacia Schachte, Ana-Maria Lucaciu, Angelin Preljocaj, Annonciation, Bach, Carina Musk-Anderson, Cedar Lake Contemporary Ballet, Chelsea, contemporary ballet, Dance, Glassy Essence, Harumi Terayama, In The Upper Room, Jason Kittelberger, Jessica Coleman Scott, Jessica Lee Keller, Jo Stromgren, Jubal Battisti, Lasting Imprint, modern, New York City, Nickemil Concepcion, Nicolo Fonte, NYC, Paul B. Goode, spring season, Steve Reich, Sunday Again, Triple Quartet, Twyla Tharp, Vivaldi
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