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Tag Archives: Philip Neal
New York City Ballet – Bach to Glass: A Musical Odyssey II
NYCB dancers in the final pose from Robbins’ Glass Pieces, photo by Paul Kolnik Tuesday evening’s program at New York City Ballet took the audience on a musical journey from Bach’s solo piano and solo cello pieces, to an early … Continue reading →
Posted in ballet, criticism, Dance, Dance writing, International, music, New York City Ballet, Photography, Reviews, wendy whelan
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Tagged 2 and 3 Part Inventions, A Suite of Dances, Adrian Danchig-Waring, Akhnaten, Alban Berg, Bach, Bach to Glass, ballet, Baryshinkov, Baryshnikov, Charles Askegard, choreography, Dance, Facades, Glass Pieces, Glassworks, In Memory Of, Jacques Moatti, Jared Angle, Jerome Robbins, Maria Kowroski, New York City Ballet, Nicolas Le Riche, NYCB reviews, Paris Opera Ballet, paul kolnik, Philip Glass, Philip Neal, Rebecca Krohn, Rubric, School of American Ballet, Tyler Angle, wendy whelan, White Oak Dance Project
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New York City Ballet – Baroque to Jazz: A Musical Odyssey
Rachel Rutherford and Craig Hall in N.Y. Export: Opus Jazz, photo by Paul Kolnik The Jerome Robbins Celebration is well underway at NYCB, now in its fourth week of the spring season. Although I’ve already seen several Robbins ballets since … Continue reading →
Posted in Articles, Dance, music, New York City Ballet, Reviews, wendy whelan
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Tagged Adrian Danchig-Waring, Amar Ramasar, ashley bouder, Bach, ballet, Baroque to Jazz, Ben Shahn, Brandenburg, Charles Askegard, Chopin, Craig Hall, Dance, Georgina Pazcoguin, Gonzalo Garcia, In the Night, Janie Taylor, Jared Angle, Jerome Robbins, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, NYCB reviews, Philip Neal, piano, Rachel Rutherford, Rebecca Krohn, Robert Prince, sara mearns, sean suozzi, Tyler Angle, wendy whelan, West Side Story
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