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Tag Archives: Robert Fairchild
An American in Paris on Broadway
Music and dance gorgeously come together in An American in Paris, which opened at the Palace Theatre last month. Set in the postwar city of light and based on the 1951 film starring Gene Kelly, this production is not a … Continue reading
Dance & Fashion Exhibit at FIT
Today I stopped by the Museum at FIT to check out “Dance & Fashion”, an exhibit that explores the relationship between the two art forms. Nearly 100 dance costumes and dance-inspired fashions are on display, ranging from the 19th century to present … Continue reading
Posted in American Ballet Theatre, art, Balanchine, ballet, Dance, Education, Entertainment, History, modern dance, New York City, New York City Ballet, wendy whelan
Tagged Benjamin Millepied, christian dior, christian laboutin, Dance, david michalek, fashion, fashion institute of technology, FIT, herman schmerman, In The Upper Room, lauren lovette, marc happel, Maria Kowroski, Martha Graham, Merce Cunningham, Museum at FIT, narciso rodriguez, New York City Ballet, norma kamali, peter martine, rei kawakubo, Robert Fairchild, Stephen Petronio, Tiler Peck, valentino, wendy whelan
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Damian Woetzel & Michael Sandel: Engaging Audiences through Art & Teaching
Damian Woetzel and Tiler Peck at the Guggenheim Museum, photo by Erin Baiano Last Sunday evening, audience members of the intimate Peter B. Lewis Theater at the Guggenheim Museum learned and performed George Balanchine’s Serenade, with piano accompaniment by Cameron … Continue reading
Posted in art, Balanchine, ballet, Dance, Education, Jerome Robbins, New York City, New York City Ballet, Politics, Reviews
Tagged Afternoon of a Faun, art of teaching, Balanchine, cameron grant, damian woetzel, ethics, Fancy Free, Guggenheim, harvard, Jerome Robbins, Joaquin De Luz, Justice, michael sandel, New York City, New York City Ballet, Other Dances, performance, performing arts, Politics, Robert Fairchild, Serenade, Tiler Peck, Works and Process
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New York City Ballet’s Short Stories
Ashley Bouder in George Balanchine’s Firebird, photo by Paul Kolnik New York City Ballet’s winter season includes many full-length narrative ballets, but on Saturday evening, the company performed a triple bill of short stories. Although the newest one, Firebird, premiered … Continue reading
Posted in Balanchine, ballet, Dance, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild
Tagged ashley bouder, Balanchine, ballet, Dance, Daniel Ulbricht, Fancy Free, firebird, George Balanchine, Georgina Pazcoguin, Jerome Robbins, Joaquin De Luz, Leonard Bernstein, marc chagall, Maria Kowroski, New York City, New York City Ballet, Prodigal Son, Prokofiev, Robert Fairchild, Stravinsky, Tiler Peck, Tyler Angle
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New York City Ballet: Many Moods Among Pieces of Glass
New York City Ballet in Glass Pieces, photo by Paul Kolnik A last-minute program change at New York City Ballet on Saturday evening placed two Balanchine works side by side: one was sharp and sexy while the other was chipper … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild, Sterling Hyltin
Tagged Amar Ramasar, Balanchine, ballet, Donizetti Variations, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Kaitlyn Gilliland, Megan Fairchild, New York City, New York City Ballet, Rebecca Krohn, Robert Fairchild, Sebastien Marcovici, Sterling Hyltin, Stravinsky Violin Concerto
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