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Tag Archives: Savannah Lowery
Avi Scher & Dancers’ New York Debut
Marcelo Gomes and Ashley Bouder in Avi Scher’s Utopia, photo by Matthew Murphy On Saturday evening, Avi Scher & Dancers made its New York debut at the intimate Alvin Ailey Citigroup Theater. Formed in 2008, the company performed six works … Continue reading
Posted in ballet, Dance, music, New York City, New York City Ballet, Photography, Reviews
Tagged Abi Stafford, ailey theater, American Ballet Theatre, ashley bouder, avi scher, avi scher and dancers, avichai scher, ballet, christian tworzyanski, Dance, eric tamm, genevieve labean, Marcelo Gomes, matthew murphy, New York City, New York City Ballet, ralph ippolito, Savannah Lowery, veronika part
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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New York City Ballet – Here and Now
Christopher Wheeldon’s Rococo Variations – photo by Paul Kolnik “Here and Now” was a fitting title for a program that featured four contemporary works – the oldest premiered in 1998 – by some of the most sought-after choreographers in ballet … Continue reading
Posted in ballet, Dance, music, New York City Ballet, Reviews, Sterling Hyltin, Teresa Reichlen, wendy whelan
Tagged Adrian Danchig-Waring, Alexei Ratmansky, Andrew Veyette, ashley bouder, Ask la Cour, ballet, Benjamin Millepied, Charles Wuorinen, choreographers, christopher wheeldon, Concerto DSCH, contemporary dance, Georgina Pazcoguin, Giovanni Villalobos, Gonzalo Garcia, Here and Now, Jared Angle, Joaquin De Luz, Maria Kowroski, Mauro Bigonzetti, New York City Ballet, nycb, Oltremare, Peter Martins, River of Light, Robert Fairchild, Rococo Variations, Russian Seasons, sara mearns, Savannah Lowery, Shostakovich, Sterling Hyltin, Teresa Reichlen, Tyler Angle, wendy whelan
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New York City Ballet – Symphonic Balanchine
There was definitely a beginning-of-the-season buzz in the air at the NY State Theater on Wednesday night. I heard plenty of snippets of gossip about dancers, and just as many opinions about their dancing. But the mood shifted ever so … Continue reading
Posted in Dance, music, Reviews
Tagged Abi Stafford, Adam Hendrickson, Adrian Danchig-Waring, Albert Evans, Allegra Kent, ballet, ballet review, Bizet, Charles Askegard, damian woetzel, Daniel Ulbricht, George Balanchine, Hershy Kay, Jonathan Stafford, Kathryn Morgan, New York City, New York City Ballet, nycb, Peter Martins, sara mearns, Savannah Lowery, Sterling Hyltin, Stravinsky, Symphony in C, Symphony in Three Movements, Teresa Reichlen, wendy whelan, Western Symphony
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