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Tag Archives: Sebastien Marcovici
New York City Ballet’s Greek Trilogy
New York City Ballet’s four-week fall season opened last week with a celebration of George Balanchine and Igor Stravinsky’s remarkable collaboration. Not only did Wednesday’s program feature works that highlight their partnership, but it also formed a Greek trilogy. Apollo … Continue reading
Posted in Balanchine, ballet, criticism, Dance, music, New York City, New York City Ballet
Tagged agon, Amar Ramasar, apollo, Balanchine, ballet, chase finlay, Dance, George Balanchine, Igor Stravinsky, Janie Taylor, Maria Kowroski, New York City, New York City Ballet, orpheus, Sebastien Marcovici, Teresa Reichlen
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New York City Ballet: Many Moods Among Pieces of Glass
New York City Ballet in Glass Pieces, photo by Paul Kolnik A last-minute program change at New York City Ballet on Saturday evening placed two Balanchine works side by side: one was sharp and sexy while the other was chipper … Continue reading
Posted in Balanchine, ballet, criticism, Dance, Dance writing, Jerome Robbins, music, New York City, New York City Ballet, Reviews, Robert Fairchild, Sterling Hyltin
Tagged Amar Ramasar, Balanchine, ballet, Donizetti Variations, George Balanchine, Glass Pieces, Jerome Robbins, Joaquin De Luz, Kaitlyn Gilliland, Megan Fairchild, New York City, New York City Ballet, Rebecca Krohn, Robert Fairchild, Sebastien Marcovici, Sterling Hyltin, Stravinsky Violin Concerto
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New York City Ballet: Stravinsky, Seduction, and a Storm
Symphony in Three Movements, photo by Paul Kolnik Sunday afternoon’s program displayed disparate moods and movement, ranging from George Balanchine’s neo-classical to neo-romantic works, with a ballet by Christopher Wheeldon showing innovative choreography of this century. All four pieces featured … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, criticism, Dance, music, New York City, New York City Ballet, Reviews, Sterling Hyltin, wendy whelan
Tagged Abi Stafford, Adrian Danchig-Waring, After the Rain, Amar Ramasar, Arvo Part, Balanchine, ballet, christopher wheeldon, Craig Hall, Daniel Ulbricht, Janie Taylor, Jared Angle, Joaquin De Luz, la valse, Maurice Ravel, Megan Fairchild, music, New York City, New York City Ballet, nycb, Savannah Lowery, Sebastien Marcovici, Sterling Hyltin, Stravinsky, Symphony in Three Movements, Tchaikovsky, tschaikovsky pas de deux, wendy whelan
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New York City Ballet’s Tribute to Nureyev
NYCB dancers in Douglas Lee’s Lifecasting, photo by Paul Kolnik George Balanchine is a lucky man. Every year he receives a new ballet on his birthday, January 22, from New York City Ballet. This year, the company not only honored … Continue reading
Posted in Balanchine, ballet, christopher wheeldon, Dance, International, music, New York City, New York City Ballet, Reviews, Robert Fairchild, wendy whelan
Tagged Abi Stafford, After the Rain, Angelin Preljocaj, Arvo Part, ashley bouder, Balanchine, ballet, christopher wheeldon, douglas lee, flower festival in genzano, George Balanchine, Gonzalo Garcia, Joaquin De Luz, la stravaganza, lifecasting, music, new combinations, New York City, New York City Ballet, paul kolnik, Rachel Rutherford, Robert Fairchild, rudolf nureyev, rudolf nureyev fund for emerging choreographers, ryoji ikeda, Sebastien Marcovici, Steve Reich, Tchaikovsky, theme and variations, Tiler Peck, Vivaldi, wendy whelan
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