Tag Archives: Yaniv Schulman

On the Set of Opus Jazz: The Film

photos by Yaniv Schulman Last week, I had the privilege of visiting the set of Opus Jazz: The Film, which recently resumed and completed filming after shooting the third section, “Passage for Two”, on the High Line about two years … Continue reading

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Morphoses Multimedia

Rubinald Pronk, Maria Kowroski, and Edwaard Liang rehearsing Monotones II, photograph by Yaniv Schulman Morphoses/The Wheeldon Company concluded its second season at City Center on Sunday afternoon. I wrote about both programs here and here, but decided to post some … Continue reading

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Morphoses at City Center: Program 2

Adrian Danchig-Waring, Wendy Whelan, and Tyler Angle rehearsing Monotones II photo by Yaniv Schulman The second Morphoses program was not only more varied than the first, but more complete as a whole. Three short pieces were bookended by Wheeldon works, … Continue reading

Posted in ballet, christopher wheeldon, criticism, Dance, Dance writing, International, music, New York City, New York City Ballet, Photography, Reviews, wendy whelan | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Morphoses: Gala Performance

Last year, Morphoses/The Wheeldon Company tried to prove that “Ballet=Sexy” in an attempt to overturn the belief that ballet is all about tutus and dying swans. After watching Wednesday evening’s gala performance at City Center, it was unclear if that’s … Continue reading

Posted in ballet, criticism, Dance, Dance writing, film, International, Morphoses, music, New York City, New York City Ballet, Photography, Reviews, Teresa Reichlen, wendy whelan | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments